I Deleted Facebook a Long Time Ago Lyrics $UICIDEBOY$
by Ushapriyanga
Updated May 26, 2023
Who are the $UICIDEBOY$?
$uicideboy$ as they like to write it. They're from New Orleans and they started making music together in 2014. You might have heard of them because they blew up on SoundCloud with their unique beats and raw lyrics. They talk about stuff like substance abuse and feeling really down, which can be pretty intense.
These guys are super popular in the underground rap scene and they've got a huge following. They're so dedicated to their music that they even started their own label called G*59 Records. They've partnered up with Virgin Music Label & Artist Services to release all their tracks.
After putting out EPs and mixtapes for a while, Suicideboys finally dropped their first official album in September 2018. It's called "I Want to Die in New Orleans" and it actually did pretty well on the charts, reaching the top ten on the US Billboard 200.
And get this: they even teamed up with Travis Barker from Blink-182 and James Shaffer from Korn to release a cool EP called "Live Fast, Die Whenever" in May 2019. It's got six tracks that really showcase their style. So yeah, Suicideboys are making waves in the music world, and they've got a devoted fan base that loves their edgy sound.
I Deleted Facebook A Long Time Ago Lyrics $Uicideboy$
[Intro: Blanco Leopardo & Wetto]
Sl-sl-sl-sl-sl-slide right through my oppo' city
AMG, man, fuck a hemi'
No question, the Glock on me
G*59, thats my commitee
Blanco 'bout his cake, full plate, extra shrimp and steak
Southside of the lake, Figure 8 'til my fuckin wake
Dump a nigga ass out, throw him in the ride (You did good, $lick, it's a Smash)
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride (Players)
Dump a nigga ass out, throw him in the ride (Players, players, players, p-p-players never die)
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride (Ayy)
Dump a nigga ass out, throw him in the ride (Ayy, ayy, ayy)
[Verse 1: Blanco Leopardo]
I got a hunnid-round drum on my dick like Vic Firth
Choppin' up the blunt, make sure it's slick, who gon' gеt sick first?
Always wantin' more, yeah, I think they call that Slick's cursе
Yeah, your shawty bad but I'm bettin' that my bitch worse
Wrist hurt from the Plain Jane, yeah, it's heavy
Catch me in the Chevy, steady changing lanes, engine revving
Switchin' steady, Blanco's motives always loco like I'm jetting
All these chains around my neck is twisted up like spaghetti, uh
Blanco 'bout his cake, full plate, extra shrimp and steak
Southside of the lake, Figure 8 'til my fuckin wake
Watch out for the snakes, fuckin' fakes, eatin' twice their weight
Always lock the gate, that's a fake, tryna up the stakes
D-D-Dollar sign, uicide, dollar sign, move aside
Me and Wetto made that pact, said fuck the whole world its you and I
Two-two-two Southern White trash motherfuckers unified
G*59 for life or at least 'til I'm fuckin' crucified
[Break: Wetto]
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride (Wetto, Wetto, Wetto)
[Verse 2: Wetto]
Sl-sl-sl-sl-sl-slide right through my oppo' city
AMG, man, fuck a hemi'
No question, the Glock on me
G*59, thats my commitee
My face sittin' pretty, grab my dick and holla, "Gimme gimme"
Poppin' on these pillies, droppin' tens up in my fuckin' kidneys
F-F-Fuck the world, fuck ya heard? Wetto solo dolo
H-H-Hoes get wet while searchin' for me like I'm Marco Polo
You want that promo? I can put your face up on a shirt
P-P-Plus I hide that fentanyl up in my Percs
I, I-I-I get irked, crack a smirk then I go berserk
Crack, now he murked, all you heard was pop-pop and then skrrt
O-O-Off the Addy, not too shabby for a fuckin' junkie
Th-Th-Throw a bitch some money, then I tell her [?]
Ch-Choppa draw, have a pussy boy singin'
'T-T-Til my death, G-R-E-Y what I'm comin' (GREY, GREY)
'Til I D-I-E, my hand gon' hold that .123
Nor-Nor-Northside (Northside), Eastern Bloc, GREY been what I bleed
[Outro]
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump a nigga ass out, throw him in the ride
Dump, dump, out, throw him in the ride
Dump a nigga ass out
Dump a nigga ass out
Dump, dump, dump, dump
$UICIDEBOY$ Info
So, Scrim, whose real name is Scott Anthony Arceneaux Jr., was born on April 11, 1989, in Marrero, Louisiana. He got into making music because he was inspired by artists like T-Pain and Kanye West.
He actually bought his first laptop using money he made from selling drugs, and that's when he started DJing. He even got hired to DJ parties while he was attending Delgado Community College. But things got a bit rough when he got fired from his job selling used furniture because of his new hand tattoos.
As for Ruby da Cherry, his real name is Aristos Norman Petrou, and he was born on April 22, 1990. His mom is American and his dad is Greek Cypriot. His dad used to be a soccer coach at Mount Carmel Academy and came to the United States on an athletic scholarship.
Ruby grew up in Metairie, Louisiana, and his interest in music began when he was just seven years old. He started playing the violin and then moved on to drums when he turned ten. In middle school, he joined bands and played drums with them. He even worked as a waiter at his dad's restaurant until 2015.
Now, Scrim and Ruby are actually cousins, and they were pretty close growing up. They both realized they wanted to pursue music seriously and weren't happy with the way things were going in their lives.
That's when they decided to form Suicideboys. It's a bit intense, but they actually made a pact that if their music career didn't work out, they would both commit suicide. In an interview, Scrim explained it like they were cutting their hand and making a promise that they had no backup plan. They were all in, and if things didn't work out by the time they turned 30, they were ready to end it all.
So yeah, that's how Scrim and Ruby came together and started making music as Suicideboys. It's a pretty wild story, but it shows their dedication and how much they believed in what they were doing.
$UICIDEBOY$ Musical Career
Alright, so back in 2014, Suicideboys dropped their first project together called "Kill Yourself Part I: The $uicide $aga." It was just a three-track EP, but it got a lot of attention because they collaborated with this underground rapper called Bones. After that, they released nine more versions of the "Kill Yourself" series.
In 2015, they teamed up with a rapper named Pouya from South Florida and released the EP "$outh $ide $uicide." It was a big deal because it really put them in the spotlight of the underground rap scene. Their track from that EP has over 166 million plays on Spotify alone, which is pretty impressive. They even made it onto the mainstream charts with their EP "Radical $uicide" in 2016. It reached number 17 on the Billboard Rap charts.
Then, on September 7, 2018, they finally released their first full-length album called "I Want to Die in New Orleans." It was a big moment for them, and they explained that they started working on it in 2017. They wanted to capture their experiences on the road and how their lives had become a bit more extravagant.
Suicideboys have built up a cult following in the hip-hop scene because they touch on topics that aren't commonly talked about in rap, like depression, anti-religion, and suicidal thoughts. They've got some seriously popular tracks too, with their music video for "Paris" hitting 180 million views on YouTube. On Spotify, their most streamed song is "...And to Those I Love, Thanks for Sticking Around" with 514 million streams.
There was a rumor going around in late 2018 that they broke up because of some mysterious tweets. But they set the record straight and said it was just personal issues they were dealing with, and they were still together. In fact, in May 2019, they dropped an EP called "Live Fast, Die Whenever" in collaboration with Blink-182 drummer Travis Barker and featuring Korn guitarist James Shaffer.
They've been busy touring too. In 2019, they embarked on their "Grey Day Tour" across the US, bringing along artists like Denzel Curry, Pouya, and Trash Talk. And in 2021, after a year-long break, they released their second studio album called "Long Term Effects of Suffering," which was loved by their fans but received mixed reviews from the media.
They've had some milestones along the way too. In 2021, they got their first platinum single with "...And to Those I Love, Thanks for Sticking Around" reaching one million sales. And just recently, in 2022, they announced their third studio album called "Sing Me a Lullaby, My Sweet Temptation" and dropped the EP "DirtiestNastiest$uicide."
Oh, and they've got a European tour coming up in 2023 with Ski Mask the Slump God and other G59 artists. They're really making moves and keeping their fans excited.
$UICIDEBOY$ Musical Style
The music of Suicideboys covers a range of rap subgenres. Some songs have a sad vibe and tackle heavy topics like depression and suicidal thoughts, which aren't commonly explored in rap music. On the other hand, they also have aggressive tracks with themes of violence and sexual content.
Their music often reflects their experiences growing up in New Orleans. They even name some of their songs after streets and neighborhoods that influenced their lives, like Audubon, Tulane, Elysian Fields, and St. Bernard.
You can definitely hear the influence of Three 6 Mafia in many of their songs. They've used samples from the group's music, especially in songs like Mask & Da Glock. While some former members of Three 6 Mafia have expressed reservations about it, like Gangsta Boo, others, like Juicy J, have shown support and even collaborated with Suicideboys.
Juicy J enlisted them to produce his mixtapes Highly Intoxicated and ShutDaF*kUp, featuring artists such as ASAP Rocky, Cardi B, Wiz Khalifa, and XXXTentacion.
A significant part of Suicideboys' music focuses on depression and its symptoms, which is not something you often find in mainstream hip-hop. Arceneaux, one half of the duo, explained in an interview that their music is not just about being emo or negative, but rather about connecting with people and providing therapy through music.
When it comes to production, Suicideboys handle it all themselves. Arceneaux, who goes by the pseudonym Budd Dwyer as a tribute to a former politician, produces the majority of their tracks. He has also produced songs for other artists like Denzel Curry, Dash, and Juicy J. At one point, he even had an in-house deal with Universal/Republic.
That's the lowdown on Suicideboys and their music. They bring a unique perspective and tackle subjects that often go unexplored in the rap scene, resonating with their listeners and offering a therapeutic outlet through their art.
I Deleted Facebook A Long Time Ago Lyrics $Uicideboy$-FAQs
Suicideboys cover a wide range of themes in their music. Some songs focus on subjects like depression, suicidal ideation, and anti-religion, which are not commonly discussed in mainstream hip-hop. They also touch upon topics such as violence, sexual content, and their personal experiences growing up in New Orleans.
The majority of Suicideboys' discography is self-produced by Scott Arceneaux Jr., also known as Budd Dwyer. Occasionally, they work with guest producers and use purchased instrumental loops. Scott Arceneaux Jr. has also produced tracks for other artists, including Denzel Curry, Dash, and Juicy J.
Yes, Suicideboys' music is noticeably influenced by Three 6 Mafia. They have used samples from Three 6 Mafia's songs in their own tracks, with "Mask & Da Glock" being a notable example. While some former members of Three 6 Mafia, like Gangsta Boo, have expressed reservations, others, like Juicy J, have shown support for Suicideboys and even collaborated with them.
Suicideboys draw inspiration from their lives in New Orleans and often name their songs after streets and neighborhoods that have influenced them. This personal touch adds a sense of authenticity to their music, allowing them to share their experiences and connect with listeners on a deeper level.